[In] Myron Helfgott’s recent portrait of the River Seine, Water . . . . [the] sculpture tickles itself even as it walks a tightrope over the chasm between truth and bluff, object and image, fixed and fluid, lyric and burlesque. The river then and the river now. —Elizabeth King
Gallery FourGallery FourPlease Except Jesus, 2009 Photographs on wood panel 30 x 48 x 2 in.Fiction, 1994 Paint, wood, slide projector, and electric motor 54 x 45 x 27 in.Fiction, 1994 Paint, wood, slide projector, and electric motor 54 x 45 x 27 in.Classical Figure with Corrections, 1986 Oil paint on plywood 118 x 74 x 17 in.Hands, 1995–96 Acrylic paint, gesso, and paper on plywood panel 82 x 60 x 2 in.Picabia Series, 1997 Paint and ink on paper 33 x 25 in. each of four drawingsUntitled, 1995–96 Oil, gouache, pencil, photograph, pantographs, and gesso on plywood panel 44 x 45 x 4 in.Given: The Order of Things, 1990 Paint and ink on paper 22 x 30 in.Waterfall after Duchamp , 1990 Plywood, plastic, paint, aluminum, motor, and lights 84 x 82 x 20½ in.Waterfall after Duchamp (detail), 1990 Plywood, plastic, paint, aluminum, motor, and lights 84 x 82 x 20½ in.Untitled, c. 1972 Paint and balsa wood 23 x 18 x 8 in. Courtesy of Susan GlasserWater, 2011 Photographs on plywood substructure 86 x 86 x 21 in.Water (detail), 2011 Photographs on plywood substructure 86 x 86 x 21 in.Salute, 1971 Lead and Plexiglas 17 x 13 x 13 in.
Blackbird Archive
